I've mentioned in response to some of the recent Pseudopods that I hardly ever actually get scared when watching/reading/playing/listening to horror. Admittedly I'm not all that well read/ect in horror, so I might just not have found the right stuff yet, but somehow I don't think that's the problem - I tend to detach myself from a work of art and study it, rather than letting myself for too much of an emotional attachment (I rarely cry at art either).
This makes horror a fascinating genre for me because, while you can rationalise other genres and appreciate them with getting emotionally involved, the whole point of horror is to terrify, to disturb, to unsettle - to provoke an emotional response. These responses are based on fear, which is, by nature, irrational, so I find it difficult to really appreciate horror in the same way that I appreciate other genres. I keep thinking 'what makes this scary' and thinking that completely removed any sense of fear invoked by the work.
As a result of this I look for something more in horror stories. I find that many horror stories simply rely and focus on the 'scare factor' and this is, to me, really unsatisfactory. I think horror stories should be like any other story - they should have an interesting and engaging plot and characters with whom we can sympathise, as well as the element of horror. If they do I can appreciate them as stories in the same way as I would appreciate a fantasy or a sci fi.
So tangentially to the point of the thread. Do you think horror should be treated the same way as any other genre? We would not accept a fantasy that simply focused on the fantastical elements at the expense of plot, nor would we accept a Sci-Fi that focused on the futuristic technology at the expense of engaging characters (or would we?), why then should we accept a horror that simply tries to paint a scary picture without anything actually happening?
As you can probably guess, this thread is inspired by my reaction to The Poisoner, although this thought has been bubbling away for a while, listening to the most recent Pseudopod simply helped me crystallise it.
I guess we could even extend this to a discussion of whether plot and character are as important to short stories as they are to full length novels, or whether you can actually write a good short story with no characters and where nothing happens, but that might be too much for one thread, and I'd like to keep this to horror is possible.