Read Tim Pratt's collection "Hart and Boot" and was reminded why I like him (as his last couple of appearances at EA have been duds for me). Good stuff.
Read "Bitterwood" after several recommendations, some from people who seemed trustworthy, and was - har har - bitterly disappointed. Like, it started out *awesome* and I was all, "Dude, cool alternate religions and unusual moral frameworks, radical!" Then, all of the interesting bits went away. Then the characters started lurching around like a Kabuki play and announcing their backstories and internal motivations and randomly switching personalities for no reason other than it would sure be convenient for the plot if the amoral coward turned into a noble altruist. Then the ominous preacher came back and I was briefly excited until that plot thread fizzled like a wet bottle rocket and we got a lecture instead. Most recently, I read about a CENTRAL DEFINING CHARACTER EVENT that for some reason has NEVER BEEN MENTIONED PREVIOUSLY and if I hadn't been reading on my Kindle I would have thrown the book across the room.
Right now I'm just reading the rest out of sheer commitment and the hopes that it gets better, but I'm really not feeling great about my chances. The only thing that could redeem the utterly ridiculous villain subplot would be for the dragon king to pull a Vetinari, but it looks like I'm going to get a faceful of pathos instead.
Like, okay, name the character "Blasphet" if you must. Okay, and he ran a cult that worshiped him as (sigh) the "Murder God." This is kind of silly but I've seen worse. But then give him black scales (when every other dragon of his race is red/orange) and red eyes and a propensity for announcing in EVERY SCENE about how he coats his claws with ULTRA-POISON that can KILL WITH A TOUCH and you just start sounding like a twelve-year-old who read LotR last week.