I liked this one a lot. It was interesting to watch the villain turn out to be the hero... except that, as Alasdair points out, it's not about heroes or villains- it's just their nature, and nature doesn't really give a rip about us at all. And, thankfully, neither does supernature.
Well said, and more concisely than I would have.
I proudly join the orgy of praise for this story and it's production. The voices were distinct without being cheesy, and I quickly forgot that they were read by the same person.
The story was a blast. The supernatural rules were unusual, interesting, subtlety and effectively explained, and didn't leave any silly holes. My preconceptions of who was good and who was evil were played with and then made irrelevant. There are not nearly enough stories set in Native American culture, much less stories without any cowboysnindians or Noble Savages. Gimme more.
Jim Bihyeh: I know less about Navajo mythology than you do about new media publishing. How much of the mythology in this story was your invention and how much was "authentic?" (I don't mean to imply that one of those is better than the other).
Fantasy or horror. Too many rotting corpses and tonguing eye sockets for fantasy, not scary enough for horror. I'm just thankful there is a medium for stories like this.