Author Topic: So, You're Going to the Movies...?  (Read 23867 times)

Talia

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Reply #25 on: July 13, 2010, 03:13:48 AM
I cried at the end of Toy Story 3 :p

I am a huge sap.

But yes, really fabulous movie. I will happily go see anything Pixar ever does. They rule.

Incidentally, I'm sure I've posted this here before, but for newbies and anyone who missed it, I LOVED this story..

http://boingboing.net/2009/06/19/pixar-grants-dying-k.html



Bdoomed

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Reply #26 on: July 13, 2010, 07:19:45 AM
I saw "Let The Right One In" on Netflix the other day in response to learning there was going to be an American remake.  That movie was nothing short of brilliant, and there is no way I'll pay to see a Hollywood remake.  No way they would do it any sort of justice.  No way.

I'd like to hear my options, so I could weigh them, what do you say?
Five pounds?  Six pounds? Seven pounds?


Faraway Ray

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Reply #27 on: July 13, 2010, 11:51:35 AM
But yes, really fabulous movie. I will happily go see anything Pixar ever does. They rule.

I'm not a huge Pixar nut, but yeah, they're pretty damn good filmmakers. I didn't like "UP" because the opening depressed me (I was only a couple of months shy of being married). Which is impressive when you consider that they're capable of instilling that strong of a reaction in so short a space and with minimal dialogue.


A story of lust, violence and jelly.

Well, Here I Am. My little slice of the blaggin' world.


Alasdair5000

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Reply #28 on: July 13, 2010, 01:43:29 PM
But yes, really fabulous movie. I will happily go see anything Pixar ever does. They rule.

I'm not a huge Pixar nut, but yeah, they're pretty damn good filmmakers. I didn't like "UP" because the opening depressed me (I was only a couple of months shy of being married). Which is impressive when you consider that they're capable of instilling that strong of a reaction in so short a space and with minimal dialogue.

I saw Up most of the way through my mum's chemotherapy.  I loved it but will never, ever sit through it again.  When it came out on DVD, Mum asked if it was worth watching and I explained the opening and the effect it would have on Dad.  She steered him away from it:)



MCWagner

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Reply #29 on: July 13, 2010, 06:39:57 PM
I'm not a huge Pixar nut, but yeah, they're pretty damn good filmmakers. I didn't like "UP" because the opening depressed me (I was only a couple of months shy of being married). Which is impressive when you consider that they're capable of instilling that strong of a reaction in so short a space and with minimal dialogue.
I saw Up most of the way through my mum's chemotherapy.  I loved it but will never, ever sit through it again.  When it came out on DVD, Mum asked if it was worth watching and I explained the opening and the effect it would have on Dad.  She steered him away from it:)
I know so many people who've said something like this. 

"Pixar:  Putting ourselves out of business with heart-wrenching quality!"



MCWagner

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Reply #30 on: July 13, 2010, 06:42:59 PM
I saw "Let The Right One In" on Netflix the other day in response to learning there was going to be an American remake.  That movie was nothing short of brilliant, and there is no way I'll pay to see a Hollywood remake.  No way they would do it any sort of justice.  No way.
The only note I've seen in its favor is that Chloe Moretz is starring.  Even if you didn't like Kick Ass, she was stealing the whole movie with enough panache that I think she's gonna be a really good actress.

...maybe not the right actress for this movie, but a really good actress.



Bdoomed

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Reply #31 on: July 14, 2010, 02:32:11 AM
Wait...
Quote
Even if you didn't like Kick Ass
is that possible?  Are there people in this dimension, or any dimension for that matter, who didn't like that movie?!

I'd like to hear my options, so I could weigh them, what do you say?
Five pounds?  Six pounds? Seven pounds?


MCWagner

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Reply #32 on: July 14, 2010, 05:26:14 AM
Wait...
Quote
Even if you didn't like Kick Ass
is that possible?  Are there people in this dimension, or any dimension for that matter, who didn't like that movie?!
Well... box office returns being what they are...



Sgarre1

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Reply #33 on: July 16, 2010, 03:07:28 AM
Saw [REC]2 (2009) - I liked the original - it wasn't earth shattering or anything but for a late-period zombie (in everythiung but detail) movie, it was suspenseful and claustrophobic. I didn't dislike QUARANTINE, the US remake, either, (despite the final image being plastered all over the commercials) although I liked [REC] a bit more for having the source of the super-rabies be supernatural (silly as the actual idea is) over QUARANTINE's biologic infection. The following is a little bit spoilery...

Trailer is http://www.youtube.com/watch?v=G18Y-S8YrQ0

But that difference between the original and the remake becomes more pronounced here (and means that QUARANTINE 2 pretty much has to go in a somewhat different direction than [REC]2, although maybe only in the specific details) as, minutes after the end of [REC] a small SWAT team lead by a mysterious expert are allowed into the sealed building to complete a deadly mission. It's pretty much more of the same, frenetic and bloody as that is, recorded with helmet cams, as they make their way to the attic room pretty quickly, only for things to go haywire. And then comes a story detour that bugged a lot of people (eh, yeah, it kind of deflates suspense but it didn't bug me as much as others) and then things get bloody/crazy/screamy again until a tense ending.

The Onion AV Club cites [REC]2 as ripping off ALIENS (helmet cams) and THE EXORCIST (possession), but it seemed to me more like a generous borrowing from Lamberto Bava's DEMONS (1985) and DEMONS 2 (1986) what with, respectively, a new set of characters "sneaking" into a supposedly sealed situation and lots of rushing past apartment doors (also, for the latter, [REC] 2's attic room seems very much like DEMONS 2's transmitter station). I liked the scene in the crawlspace/vent, the juddering malfunction of the camera when attacked (worked well on the big screen), the not secret/secret room and especially the super-tense groping around in pitch black by the absolutely mega-creepy lich-woman-thing.

What can I say? It was a fun night out at the movies. No award winner but if you liked the first, you might dig this one as well.

Also saw PREDATORS (2010) which was unusual for me, as I'm not a fan of the series, although I do respect the first one (tough-guy action-horror or action-sci-fi just isn't my thing, basically). But needed to get out of the house and away from the sickroom and it was the only thing mildly interesting. I enjoyed it. It's not brilliant or anything but there's something to be said for movies where, if you think about it you pretty much know what you're going to get, and the art comes in giving us what we expect in satisfying ways, not suprising us and not dilly-dallying (really, you know the set-up from the commercial so why waste more time than is logically needed to set it up, which the director doesn't so good for him). They kind of blow the ending a tiny bit (to say how would be spoilers), and the visuals get a bit murky as the film progresses (filming at night with lots of big fires) but there are some great scenes - the Yakuza guy's big fight being my favorite (the "oh, shit" opening scene is pretty cute as well). Definitely worth a rental at least. I liked all the glow-in-the-dark blood from the Predators!



DKT

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Reply #34 on: July 16, 2010, 03:35:51 PM
I finally saw Shutter Island. It was an interesting experience because someone had more or less blown one of the twist's for me, but I still enjoyed seeing how it was pieced together. Good psychological thriller. Quite disturbing in parts - particularly toward the end.


lowky

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Reply #35 on: July 16, 2010, 04:00:20 PM
recently saw Avatar:The Last Airbender.  The child actors weren't too bad ( I find so many of them annoying.  Worst had to be young Aniken from the horrible attempt at star wars prequels.)  I had never seen the anime so I found the movie rather entertaining.  I went with a fan of the anime, who picked apart much of the movie and their casting/costuming decisions.  I do agree that a mostly white cast, for people who were obviously based on innuit people doesn't make sense.  Worth a rent/dollar movie showing though.


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Reply #36 on: July 16, 2010, 04:09:37 PM
recently saw Avatar:The Last Airbender.  The child actors weren't too bad ( I find so many of them annoying.  Worst had to be young Aniken from the horrible attempt at star wars prequels.)  I had never seen the anime so I found the movie rather entertaining.  I went with a fan of the anime, who picked apart much of the movie and their casting/costuming decisions.  I do agree that a mostly white cast, for people who were obviously based on innuit people doesn't make sense.  Worth a rent/dollar movie showing though.

The real problem with the movie was that - by necessity - it removed all of the things that made the cartoon show worth watching (humor, deft characterization, strong ensemble cast) and concentrated solely on the Megaplot in plodding solemnity. 

(Also, it's not an "anime," per se.  American producers, American writers, Korean animation studio.)



Bdoomed

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Reply #37 on: July 16, 2010, 06:54:52 PM
I thought the costumes and sets were actually very well done!  But yes, the movie lost pretty much everything that the cartoon had.

I'd like to hear my options, so I could weigh them, what do you say?
Five pounds?  Six pounds? Seven pounds?


Sgarre1

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Reply #38 on: July 17, 2010, 01:18:32 AM
CROPSEY (2010) - Documentary about Staten Island, campfire tales, child abductions/murders, poorly run state mental facilities in the 1970s and how we as a culture tend to spin stories from varied details, sometimes just to cover terrible but unappealing truths.  Interesting for fans of horror films, as will become apparent.

The starting point is twofold.  The traditional widespread urban legend/campfire folklore tale of the "mad killer" tends to have a particular name attached to it in the Hudson Valley - "Cropsey" (yes, just like from the horror movie THE BURNING).  The documenatry makers were told this traditional story like most kids who went to summer camp, but they went to camp on Staten Island, and so "Cropsey" was said to haunt the huge, abandoned state mental hospital adjacent to the summer camp.

And that's where the second strand of the documentary comes in. A young reporter, Geraldo Rivera, made a name for himself in 1974 exposing the state-run, poorly funded Willowbrook Asylum as one of the last notorious "snake pits" - (barely) surviving videotape footage of the television expose shows naked, retarded children living in their own filth, crammed into vast halls unattended and being fed like animals.  10 years later (ahhhh, lazy, unregulated local government), Willowbrook was shut down and fell into ruin.  And stories developed that many of the mentally ill, turned out onto the streets with no support structure (ahhhh, Reaganomics) returned to the grounds of Willowbrook, living in the underground tunnel systems.  And then a developmentally disabled little girl disappeared.  And then her body was found buried on the grounds of Willowbrook and a (seemingly) crazed itinerant worker, Andre Rand - who HAD been living on the grounds since he worked at Willowbrook as a physical therapist - was arrested and jailed for the murder on less than solid evidence (nice to see local NYC TV news reporters I grew up with, like Sue Simmons and Jack Cafferty, in poorly degraded videotape news clips).  And then the public and the police began to realize that quite a number of kids had been disappearing from Staten Island towns all through the 70s and 80s...

This was an interesting documentary, a bit different than the usual true-crime doc as it also explores the stories (plausible, bizarre, paranoid) that build up around unresolved events that expose things we'd rather not think about as a society.  The backbone of CROPSEY forms as, in 2008, Andre Rand comes up for parole, and an attempt is made to keep him in jail by trying him for some of those other disappearances on circumstantial evidence.  But is/was Rand innocent, just an easy scapegoat as one of his few acquaintinces  contests?  Or was he involved in something more complex? The filmmakers gather increasingly bizarre local tales, from both credible cops and dubious religious nuts, of Rand leading an undeground society of mentally ill homeless people that haunt the tunnels, of Rand's own mental problems and troubled family past, and (as may be expected during the "satanic panic" of the 1980s - ahhhh, Evangelical zeal) of the inevitable expected ties to supposed child-killing Satanic cults employing Rand as a procurer (Maury Terry's half-credible/half-credulous research from his Son of Sam book THE ULTIMATE EVIL  is lightly touched on).  They talk to the locals who organized searches for the girl back in the 80s and then visit the abandoned asylum and the tunnels themselves.  And then Rand finally writes back to the filmmakers from jail and agrees to an interview.

CROPSEY stays interesting all the way to through to the almost inevitable end and, like the culture of storytelling and dark suburban secrets it exposes, leaves us with more questions than answers.  Compelling stuff.

The trailer is  HERE: www.youtube.com/watch?v=yJKPvaNEVjs



Talia

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Reply #39 on: July 18, 2010, 02:55:34 AM
There simply aren't words for how awesome Inception is. Go see it ASAP.

IMHO lives up to every drop of the hype.

That is all.



Sandikal

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Reply #40 on: July 18, 2010, 03:05:25 PM
There simply aren't words for how awesome Inception is. Go see it ASAP.

IMHO lives up to every drop of the hype.

That is all.

We're planning on seeing it this afternoon.



DKT

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Reply #41 on: July 30, 2010, 03:38:42 PM
Made it to see Inception last night. Absolutely incredible movie.


Listener

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Reply #42 on: July 30, 2010, 04:53:47 PM
I obtained "The Girl Who Played With Fire", sequel to "The Girl With The Dragon Tattoo".

I enjoyed all three books, but "Fire", as a film, didn't do it for me. It was kind of like, okay, we have these Star Wars movies that are all about rebels and the Imperial ships, but now here are some prequels that show you what life was like back home before the war. Well, most of "Fire" takes place in and around Stockholm, whereas "Tattoo" was out in the sticks, and really "Tattoo" was just a more satisfying film overall.

If "Tattoo" is still in theaters where you are, go see it.

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Talia

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Reply #43 on: July 30, 2010, 05:27:05 PM
Tattoo is actually available on netflix instant. I may watch it tonight.

Haven't read the books yet, and feeling weirdly torn about watching the movie first...



DKT

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Reply #44 on: July 30, 2010, 05:35:10 PM
Tattoo is actually available on netflix instant. I may watch it tonight.

Haven't read the books yet, and feeling weirdly torn about watching the movie first...

My wife is reading those books, is really loving them, and insistent on me reading them (and watching the movies too). I am torn on whether I should watch the movies first or not, as my TBR pile is already pretty intimidating...


stePH

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Reply #45 on: July 30, 2010, 05:37:29 PM
Made it to see Inception last night. Absolutely incredible movie.

I've already seen Paprika but it's probably pretty cool as a live-action film too :P

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Bdoomed

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Reply #46 on: July 30, 2010, 07:11:29 PM
Made it to see Inception last night. Absolutely incredible movie.

I've already seen Paprika but it's probably pretty cool as a live-action film too :P

Hahaha, no Paprika was famazing and crazy and wild.  Inception was (obviously) more toned down.  You just can't do that stuff in live action.  Anyway I saw Inception yesterday and I really enjoyed it.  I am also now adding The Girl With The Dragon Tattoo to my netflix instant queue

I'd like to hear my options, so I could weigh them, what do you say?
Five pounds?  Six pounds? Seven pounds?


MCWagner

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Reply #47 on: July 30, 2010, 08:59:40 PM
Made it to see Inception last night. Absolutely incredible movie.

I've already seen Paprika but it's probably pretty cool as a live-action film too :P
Very different movies on many different levels.  (Mild spoilers ahead.)
Paprika was an intensely visual reality-warp mind-f**k that tended to get lost in itself a little too thorougly.  Philosophy and psychology were at its core.  Inception was mostly a political/conceptual intrigue with a unique hard sci-fi concept at its core.  "Dreaming" was the philosophy of Paprika, but the setting and the hard-sci device of Inception.

They really are very different.  For one thing, Inception is surprisingly talky.  There's really only action in the very beginning, and then for the final 1/4 of the film.  The entire middle is character development, setup of the technology and devices, and expounding upon an odd mystery.



Zorag

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Reply #48 on: July 30, 2010, 09:01:17 PM
I've seen 2 movies in the theater this millennium.  The most recent was the A-team.  How brutally disappointing!  It would have been better if they had just made the movie without the A-team tie in.  Also, I heard more of the original theme from my ring tone before the movie started.  I literally was muttering under my breath, "Where's my music?".

But, on the plus side, my 9 year old daughter is hooked on the original series, and watches it with me.  Hurray for Netflix!  

Come say hi over at the Beef Beer And Poker forum.


stePH

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Reply #49 on: August 01, 2010, 01:39:32 AM
Paprika was an intensely visual reality-warp mind-f**k that tended to get lost in itself a little too thorougly.

With the exception of Tokyo Godfathers, Satoshi Kon's work tends to be like that. (By doG I love it so!)

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