Hey-lo! Author here. Glad people generally enjoyed this, sparse though the commentary was. I knew that the premise was already set for me (and given that the coins are "of Chaos," the plot kind of was, too), so I decided to just run with the creepy imagery and hope it worked. :-) A lot of people wondered about the mechanism; I was really just going with the most straightforward cursed artifact I could. You touch it, you're screwed, and nuts to your good intentions if you had any. Just like the indiscriminate disaster it was foregrounding, the Hungry Coin ain't in this to play fair.
When I am listening to a horror story, I have to remember that the characters don't know that they are in a horror story. My first impulse when he found the coin was to say "Listen to the crazy old man! Throw it away! It is clearly cursed!" But that's because I know that the character is in a story.
Even better, this story appeared in a whole
anthology of stories about cursed coins. They really should have seen it coming.
Though as an earlier commenter noted, I'm curious about the mechanism for the cursed coin - is the protagonist now just a bigger, better rabbit (coin-delivery system)? I can't quite recall the calendar date for the story (is there mention of one...? sorry, no time to re-listen just now) BUT could it be set in the earlier years of the great Depression? Perhaps the appearance of the bone-woman closer to a settled area could be linked to increased starvation/famine at that time?
Not explicitly in the way that, like, Dracula brings the rats with him, but certainly the deprivation of the Depression was on my mind when I tried to think of what kind of curse a coin might carry. The curse was inescapable in the same way poverty and loss are. Hunger doesn't care who you are.
The fox choking on the snake choking on the mole clutching the coin was borderline ludicrous but would've been very scary if I'd actually seen it.
Ludicrous and faintly creepy was pretty much my precise goal there. :-D I started with just one thing eating a mole that was clutching the coin and then I was like, "No, man, you can't half-ass this. All the way to the hilt." There's a point where something stops being scary and starts being silly, and then another, smaller point where it starts being scary again. I'm pleased I managed to land the shot in that little dip in the distribution.