Interesting that a couple people have mentioned that Usurpers worked better. I guess that just shows how tastes vary: I couldn't finish that one, the narrative style drove me bugnuts, and the character was so arrogant I really didn't want to listen to his story.
This one I finished, and I thought was pretty good, even though I had trouble buying that this kid thought the sabotage was a good idea.
He's an emotionally neglected, hurt, angry 12-year-old. why wouldn't he? Or rather, I doubt the "good idea" vs "bad idea" would even cross his mind.
This ^^^ is basically the thought process that went through my head. First was,
Why does he think that's going to make them understand him?. Then,
Oh, twelve-year-old.
I
have a twelve-year-old boy, you see (for 5 more days, anyway
*), and figuring out actual consequences (rather than desired consequences) is not a strong skill in most at that age.
I didn't mind this story, but I didn't love it, either. There were a couple of clumsy places that dragged me right out of the story and made me wish the author had had an editor.
At one point, Jamie "let himself in the front door with his keycard." In a story using third-person limited narrative, this just doesn't work. If keys as cards are ubiquitous in this future (I hope they don't become so in
ours!), Jamie wouldn't think of it as a key card, any more than we call telephones something else because they now have pushbuttons.
To get across the idea that it was a key
card, it would have been better for the author to have done something like:
Jamie went to let himself in, but as usual, the card reader missed the first few swipes and he had to stand there like an idiot, swiping the card until the door finally swung open.Only better.
Also, the line, "You get better with practice. Like your brother Scott,"
really jarred on me. Seriously? Jamie needs to be told either who his brother is or who Scott is?
In the very next paragraph, the line "the way he gritted his teeth when he heard his older brother's name," made the solution to this clumsy line obvious.
In both of those cases, I had to go back in the file to listen to what came immediately after those bits, as my rants about the writing drowned out the story.
All it needed was a quick edit to catch both of those problems (and possibly other, subtler ones that I didn't catch).
*He's not going anywhere, just won't be twelve any more.