My first ever post here...some thoughts to clear things up (maybe).
1. The protagonist had reasonably good insight into the situation from the very start. We just didn't know it- the author deliberately keeps us out of her head, and puts us off to the side as observers. We think we know what she's thinking, because we assume that in order to take certain actions one must be thinking certain things, but in fact most of the story is descriptive- a play-by-play of the action, with comments about what she might be thinking thrown in. Read the following with a commentator's voice:
"She finished her inspection and sealed her helmet. As she kicked out of the airlock, she paused to admire the view. It was worth admiring. Pluto, with her single, sickly colony. The dock in orbit, half-full of ships in port, lit like Vegas, and shining like diamonds on velvet. She slipped under Adage to where her Betty was Remora’d to the hull and went inside. She plopped into the pilot’s couch. All her controls were custom, larger than normal."
Mostly just descriptive stuff, with color commentary. Thus, we never REALLY know what she's thinking. This is a deft and well orchestrated, well written piece that fools us into thinking we are closer to knowing her intention than we really are.
2. The villain isn't all that bright. It's pretty clear that he knew that she had to get aboard the Adage somehow, but he never stopped to wonder... I'm assuming that this isn't the Star Trek or Stargate universes where transporters exist. The only way left would be a ship. Elise would have rotated the Adage so that the Betty would have been hidden. No accident, there. He should have suspected, as soon as he figured out that Elise was in charge and Holland was "under wraps," that Elise had to have gotten aboard 'somehow' after Adage was asea, and that the 'somehow' was likely still attached. Instead, guy is "surprised" by the Betty and Elise. This appears to simply be Darwin at work in the cold, unforgiving arena of space. Elise was ahead of him the whole time - the unwrapping of the story lets us finally see that. The well crafted part is that we ARE drawn into thinking we know what Elise knows, and we are surprised as well. Like any well told tale, there is pleasure to be had simply in the unwrapping of the story.
Over all, tightly knit story telling. I kind of knew where this was going from the start, so no great surprise plot wise. Still, enjoyed the old-style classic 1950's style SciFi. Reminiscent of some of the old Heinlein/Asimov stories (The Rolling Stones, Lucky Starr) which I ate up as a kid.
Thanks!
« Last Edit: July 03, 2014, 07:59:33 PM by HeartSailor »
What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves? This is the most important of all voyages of discovery, and without it, all the rest are not only useless, but disastrous. Thomas Merton